Review: Natalie Dessay, After Opera Left Her - The New.
Watch movie and read libretto and translation of Caro nome che il mio cor, an aria for soprano from the Italian opera Rigoletto by Giuseppe Verdi.
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Natalie Dessay, the soprano, descended a staircase into the rehearsal room at the Metropolitan Opera with the poise of a countess entering a ballroom, dressed in skinny black pants, high heels.
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The other Verdi item on the disc is far more adequate, if still not special. Gilda's 'Caro nome' from Rigoletto is a more restrained piece that Dessay can negotiate with ease. It helps that the vocal line is more fragmented in the score, because what's lacking in the performance in general is a warm tone in long legato phrases. As Gilda, Dessay.
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I've never seen a full opera but here are my favourite arias.
Bellini, Donizetti, Verdi: Italian Opera Arias, an album by Natalie Dessay on Spotify We and our partners use cookies to personalize your experience, to show you ads based on your interests, and for measurement and analytics purposes.
Mme Dessay delights the jaded palate by the charm of fresh vocal readings, in 'Caro nome' (track 9) for example and all 73 minutes of the disc showcase sensitive, warmly calibrated interpretations with her crystalline timbre and perceptive musicianship. The opportunity to see her in a live recording of the Met's lauded 2007 Lucia di Lammermoor.
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